Emilija Škarnulytė

Working between the documentary and the imaginary, Škarnulytė makes films and immersive installations exploring deep time and invisible structures, from the cosmic and geologic to the ecological and political. Winner of the 2019 Future Generation Art Prize and the Ars Fennica Award 2023, Škarnulytė represented Lithuania at the XXII Triennale di Milano and was included in the Baltic Pavilion at the 2018 Venice Biennale of Architecture. She most recently presented works at MORI Art Museum, Kiasma, Gwangju Biennale, Helsinki Biennale, Vilnius Biennale, Henie Onstad Triennale.

She has had solo exhibitions at Canal Projects, New York (2024), Ferme-Asile, Sion (2023); Kunsthaus Pasquart, Biel/Bienne (2021); Den Frie, Copenhagen (2021); National Gallery of Vilnius (2021); Künstlerhaus Bethanien, Berlin (2017); Contemporary Art Centre CAC of Vilnius (2015). In 2022, Škarnulytė participated in the group exhibition Penumbra organized by Fondazione In Between Art Film on the occasion of the 59th Venice Biennale. She has films in the collections of the Centre Pompidou, Kadist Foundation, HAM, IFA, and her works have been screened at the Tate Modern and Serpentine Gallery in London, Centre Pompidou in Paris, Museum of Modern Art in New York, and numerous film festivals including Rotterdam, Busan, Hotdocs and Oberhausen.

Emilija Škarnulytė is known for work in directing across film and television. New Release currently presents 25 verified screen credits connected to this profile.

Selected work includes Æqualia (2023), Burial (2022), Neon Oasis (2019), Pleasure Prospects (2019), Sirenomelia (2017), Free Radicals: A History of Experimental Film (2011), Absolute Dating (2021), Tidal Body (2023). The recorded credits span 2011 to 2026, including 25 movies and 0 TV shows.

The filmography below lists available titles, release years and known roles. This profile is updated as additional verified information becomes available.